I guess that this poem really slapped me in the face. When I envision poetry, I envision it as a soliloquy of our souls...it is just our words and our most inner thoughts being compressed into the most beautiful of all words. The Road not Taken does everything but that. It is coated with the most supernatural imagery and the most incredible of all metaphors and beneath it all, it's just like..."You can hide yourself with all this beauty but face it, life is not all that we make it out to be." So, ever since I really understood this poem, I started to become allured by all poems and novels and even songs that slapped me in the face with realism.
Through poems like the Road not Taken, I came up with a final thesis for my extended essay: The division that Robert Frost creates between mankind and nature. For the first time in a while, I'm finally inspired to write.
TWO roads diverged in a yellow wood, | |
And sorry I could not travel both | |
And be one traveler, long I stood | |
And looked down one as far as I could | |
To where it bent in the undergrowth; | 5 |
Then took the other, as just as fair, | |
And having perhaps the better claim, | |
Because it was grassy and wanted wear; | |
Though as for that the passing there | |
Had worn them really about the same, | 10 |
And both that morning equally lay | |
In leaves no step had trodden black. | |
Oh, I kept the first for another day! | |
Yet knowing how way leads on to way, | |
I doubted if I should ever come back. | 15 |
I shall be telling this with a sigh | |
Somewhere ages and ages hence: | |
Two roads diverged in a wood, and I— | |
I took the one less traveled by, | |
And that has made all the difference. | 20 |
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